• 观看记录
    视频
    视频文章明星
    取消
    推荐搜索
    全部
    电影欧洲的某个地方

    欧洲的某个地方

    影片信息

    • 片名：欧洲的某个地方
    • 状态：HD中字
    • 主演：Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
    • 导演：Radványi/Géza/
    • 年份：1948
    • 地区：其它
    • 类型：剧情/
    • 时长：内详
    • 上映：未知
    • 语言：其它
    • 更新：2024-06-25 19:10
    • 简介：欧洲的某个地方1948 播出年由Artúr Somlay Miklós Gábor Zsuzsa Bá 主演,Radványi Géza 导演的《欧洲的某个地方》在线观看,《欧洲的某个地方》百度云网盘资源以及《欧洲的某个地方》高清mp4迅雷下载，希望您能喜欢！
      Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
    1948/其它/剧情 /其它/

    • 扫一扫用手机访问

     立即播放 飞速路线

    选择来源

    • 飞速路线
    • 快速路线
    • 速播路线
    • 极速路线
    4.0
    网友评分
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    210次评分
    4.0
    网友评分
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    210次评分
    给影片打分《欧洲的某个地方》
    • 很差
    • 较差
    • 还行
    • 推荐
    • 力荐
    我也要给影片打分

    扫一扫用手机访问

    首页电影剧情片欧洲的某个地方

    播放列表

     当前资源来源飞速路线 - 在线播放,无需安装播放器
     倒序
     飞速路线 快速路线 速播路线 极速路线

    剧情简介

    红枣电影网为您提供1948 年由Artúr Somlay Miklós Gábor Zsuzsa Bá 主演,Radványi Géza 导演的《欧洲的某个地方》在线观看,《欧洲的某个地方》百度云网盘资源以及《欧洲的某个地方》高清mp4迅雷下载，希望您能喜欢！
    Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

    为你推荐

     换一换
    • HD国语
      寒·露
      2.0顾婷萱/李君峰/文雅懿/何旭健/
    • 更新至7集
      稻草人
      7.0吉恩·哈克曼/阿尔·帕西诺/多萝西·特里斯坦/艾琳·布伦南/
    • 正片
      幸福之路
      3.0张震///陈法拉///亚历克斯·维多夫///杨佩里///莱斯·纳克里///萨拉·巴斯金///詹尼·鲁伊扎/
    • HD中字
      雪中的女孩
      9.0加拉泰亚·贝露琪/马蒂厄·卢奇/塞缪尔·基尔舍/Oscar/Pons/谢里夫·安杜拉/Amid/Bouselahane/
    • HD中字
      万事付寒波
      5.0杰克·麦克维/乔迪丝·李希特/伊里斯·坦贾·弗利根林/Harvey·Dean/艾琳·哈尔/比约恩·斯蒂凡松/
    • 更新至5集
      礼物
      1.0 萨莱·巴克里/Mariam Kanj/
    • 第24集完结
      欺骗
      7.0莫莉·温德索尔/约瑟夫·奎恩/斯蒂芬妮·马蒂尼/西奥·巴克利姆-比格斯/丽莎·帕弗瑞/Elodie/Wilton/Maureen/Wild/Derek/Frood/Ruben/Wheeler/Emilia/Copeland/John/Macneill/Yazmin/Joy/Vigus/
    • 正片
      正片
      软壳
      3.0Softshell/
    • 正片
      正片
      马内克肖尔元帅
      9.0 一个帕西人的军旅生涯/Sam Bahadur/
    • 正片
      窝囊废归来
      6.0 瑞恰·查达/阿里·法扎勒/潘卡·特里帕蒂/Vijay Kumar Dogra/普尔吉·萨姆拉特/Manjot Singh/
    • 正片
      逮捕令：破坏者法则
      10.0未知
    • 正片
      正片
      蓝鹭
      3.0青鹭与少年(港)/Blue/Heron/
    • 正片
      吉时已到
      3.0未知
    • 正片
      酸雨蚀刻
      5.0 吉约姆·卡内/利蒂希亚·多施/Patience Munchenbach/玛丽·容/Martin Verset/苏丽安·卜拉欣/Clément Bresson/Pascal Parmentier/Soufiane Menouni//迈克尔·佩雷斯/Lorette Nyssen/Blandine Lagorce/Mathieu Peralma/Régis Maizonnet/Maxime Tshibangu/Vincent Do Cruzeiro/Marie Bokillon/Frédéric Cuif/An/
    • 正片
      正片
      速成爸爸
      1.0 Instant Daddy/
    • 正片
      正片
      告密者
      6.0泄密者的一天(台)/Reality/
    • 正片
      紧急出口
      5.0艾德里安·凡希加/Nicoleta/Hancu/Emilia/Dobrin/Marian/Adochitei/Virgil/Aioanei/Afrodita/Andone/米尔恰·安德烈埃斯库/Iulian/Burciu/Florin/Calbajos/Mihai/Calin/Doru/Catanescu/Sorin/Cocis/Marius/Damian/艾尔维拉·达库/伊万娜·弗洛拉/Ada/Gales/Floriela/Grapini/曼努埃拉·哈甘布若/伊林卡·哈特纳/Vlad/Jipa/
    • 正片
      玛夫卡真实神话
      1.0 Ivan Dovzhenko/维亚切斯拉夫·多夫琴科/
    • HD中字
      大觉醒
      2.0乔纳森·布莱尔/John·Paul·Sneed/Josh·Bates/Joe·Dignoti/Stephen·Foster·Harris/
    • 正片
      阿露薇
      9.0 Aditi Balan/Mohammad Ali/Pradeep Anthony/Lakshmi Gopalaswamy/
     换一换

    评论

    评论已关闭

    剧情片排行榜

    更多